Der fliegende Holländer

By Richard Wagner

ISBN: 9781847495495

179 pages


RRP: £12.00 £9.60

Der fliegende Holländer is the first of Wagner’s operas that the author considered to be representative of his mature style. The Dutchman embodies one of the major themes that recur throughout Wagner’s work: that of a central character seeking redemption from a loving woman. Originally taken from a story by Heinrich Heine, Wagner extended and enriched his musical and dramaturgical language to produce an opera of extraordinary power.

An essay in the guide places the opera in the context of emerging German Romanticism, and another highlights the musical riches of the score. A further article explores the emerging importance of myth to Wagner and his contemporaries. As well as a detailed description of the work’s performance history, the volume contains Wagner’s own instructions to his performers and his programme note about the overture. Illustrations, a thematic guide, the full libretto with English translation and reference sections are also included.


Behind Der fliegende Holländer, John Warrack

An Introduction to Der fliegende Holländer, John Deathridge

Loneliness, Love and Death, William Vaughan

How Wagner Found the Flying Dutchman, Mike Ashman

Of Storms and Dreams: Reflections on the Stage History of Der fliegende Holländer, Katherine Syer

The Overture to Der fliegende Holländer, Richard Wagner

Remarks on Performing the Opera Der fliegende Holländer, Richard Wagner

Der fliegende Holländer: Poem by Richard Wagner

The Flying Dutchman: English translation by Lionel Salter

SKU: 9781847495495 Category: Tags: , , , ,


  • Excellent new Overture Opera Guide to Wagner’s Flying Dutchman.

    Evening Standard

  • For anyone with a keen interest in opera, whatever their level of knowledge, this series remains a benchmark of quality and clarity. The content is serious, reliable and trustworthy, handsomely put together, full of variety and scholarship but always making the practical experience of going to the opera a priority. I return to these volumes again and again and find the updated and new issues absolutely invaluable.

    Fiona Maddocks

  • Beautifully produced and designed … they are terrific value.

    Rupert Christiansen
    The Daily Telegraph

  • For everything you need to know, concisely packaged.

    The Telegraph

  • I am delighted to see the return of the ENO Opera Guides, bigger and even more authoritative than before. There are authoritative new articles as well as several of the irreplaceable originals, the presentation is very handsome and a decided gain is the brilliantly chosen selection of production images, in colour as well as black and white. The Guides are an invaluable reference for opera lovers at any level.

    David Nice

  • Increasingly indispensable.

    BBC Music Magazine

  • Neat little volumes they are, handy for carrying around, clearly printed and well set-out, complete with libretto and translation, discography and a generous selection of illustrations.


  • These guides, so beautiful to have and to behold, mark a huge advance on their predecessors. I find them essential supplements, not only to ENO and Royal Opera programmes, but to recordings issued on CD which often come without scholarly documentation and a libretto. The performance histories … are especially valuable, and not easily accessible elsewhere.

    Hugh Canning

  • This uniformly excellent series is indispensable for the serious opera lover, all the more so now that almost all the CD companies have abandoned issuing a libretto with their opera releases, and have such scant background information. The English translations are on facing pages with the original texts, and in all respects the books are helpful and compact, and interestingly illustrated.

    Michael Tanner

Richard Wagner

Richard Wagner (1813–83) was a composer who drew inspiration from Christian and Nordic mythology, as well as the philosophy of Schopenhauer, to pioneer dramatically new forms of music. His concept of the “Total Artwork” led to the construction of the Bayreuth Festspielhaus, an opera house he designed specifically for productions of his own operas. He also wrote widely on music and art. His operas include Tristan und Isolde, Die Meistersinger von Nürnberg and the four parts of Der Ring des Nibelungen.


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