BOOKS
Parsifal (In Association with English National Opera)
ISBN: 9781847497086
256 pages
RRP: £12.00 Original price was: £12.00.£9.60Current price is: £9.60.
Libretto in German with a facing literal translation
From its conception in 1857 to its first performances in 1882, Parsifal represented the culmination of the themes that preoccupied Wagner during the latter part of his life. This guide includes a series of articles on Wagner’s profound and complex opera, which the composer preferred to call a Bühnenweihfestspiel – a “Stage Consecration Festival Play”. Dieter Borchmeyer discusses the mythological foundations of Parsifal and its relation to Wagner’s earlier works. Barry Emslie’s thought-provoking piece explores the “virtues of sin” in Wagner’s last opera. Robin Holloway provides a study of Parsifal’s musical motifs, followed by Carolyn Abbate’s article, which examines the relation between music and drama in the opera. Gerd Rienäcker contributes an essay on the dramaturgy, and analyses some of the major scenes. Finally, Mike Ashman writes about Parsifal on the stage.
The present edition contains a literal translation of the libretto opposite the original German text, a number of photographs covering a wide chronology to the present day, a comprehensive thematic guide, a bibliography and discography, as well as DVD and website guides. It will prove an essential companion for anyone seeking a deeper understanding of Wagner’s final masterpiece.
Contains:
Recapitulation of a Lifetime, Dieter Borchmeyer
Parsifal: The Profanity of the Sacred, Barry Emslie
Experiencing Music and Imagery in Parsifal, Robin Holloway
Parsifal: Words and Music, Carolyn Abbate
Discursions into the Dramaturgy of Parsifal, Gerd Rienäcker
Parsifal on the Stage, Mike Ashman
Parsifal: Poem by Richard Wagner
Parsifal: English Translation by Lionel Salter
For a full list of Overture Opera Guides in association with English National Opera click here
Richard Wagner
Richard Wagner (1813–83) was a composer who drew inspiration from Christian and Nordic mythology, as well as the philosophy of Schopenhauer, to pioneer dramatically new forms of music. His concept of the “Total Artwork” led to the construction of the Bayreuth Festspielhaus, an opera house he designed specifically for productions of his own operas. He also wrote widely on music and art. His operas include Tristan und Isolde, Die Meistersinger von Nürnberg and the four parts of Der Ring des Nibelungen.


